We haven’t had much going on here for a month. During that time, the main architecture of the Vandal software has been developed futher. That’s a lot of stuff under the hood that might be of minor importance for users, but it’s very important for all coming features that we equip this thing with.
One of these features is the ability to deal with user-defined stomps setups. Currently, our arsenal is planned to offer between 18-20 different stomp boxes, of various type and origins. Here are some that are already working:
The LaCrema Overdrive manages to recreate the famous mild crunch tones associated with famous blues/rock-type pedals, like for instance the TS9.
HALVAR was inspired by the DOD250/308 Distortion/Preamp Booster stomp, which allows to tighten up the signal when doing shred and heavy riff-working, cleaning up the bass & such.
Hellfire is a no-compromise attempt at high-gain sounds, features a classic (passive) tone stack and multiple gain stages. Max gain is ~70dB 🙂
Fuzz has that certain sound: ‘muff’, Jimi, Satisfaction, you name it. A love/hate thing, as usual.
The phase shifter is pretty unique. Actually a phaser and a tremolo (can be both simultaneously). Allows for subtle washy phasing, wah-type resonating as well as sounding completely ill-psycho-something.
The CheWahWah is pretty traditional; characterful, rich, screaming. A wah like one would expect but is rarely offered in the digital realm.
All stomps incorporating distortion/overdrive are oversampled (4x at 44/48k). We want them to not behave like digital zombies just because you’re doing a bending in the 24th fret… 😉
To do: adding Midi CC to all controls. As with all Vandal knobs/buttons, Midi messages (from pedal boards and such) can be used to drive various units and their parameters. We will explain the concept in detail as soon as the time is right.
Here are some audio snippets of the OD/distortion stomps, courtesy of Dimi Nalbantov: